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Unamuno On Faith, Doubt And "The Selling Of Yeast"

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“Those who believe that they believe in God, but without passion in their hearts, without anguish in mind, without uncertainty, without doubt, without an element of despair even in their consolation, believe only in the God idea, not God Himself.”



Miguel de Unamuno




Showdown Between Science And Faith That Relies On Unreasonability

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"1939 Germany all over again"
Ouch!
Where to start?


Canadian Letter To The Editor: "You Americans Have No Idea How Good Obama Is"

Just as "The West" was getting a handle on "visual perspective," The Scientific Method was starting to consolidate. 

Until then, educated people considered the systematic investigation of Natural History offensive, if not sinful. 

Every educated European "knew" that Aristotle had completed the study of Natural History, and thanks to his exhaustive labor there was nothing left for others to do. 

Resistance to Galileo's heliocentrism -- even as an honorable hypothesis -- illustrates the unassailable settledness of Natural History

Damn anyone who would unsettle The Natural Order! (Indeed, the "correction" of dissidents and discoverers was the cornerstone of The Inquisition.)

As nascent European universities created the world's first intellectual "web,""islands of rationality" began to rise from the enveloping sea of unconsciousness. 

And although progress has been made, half of humankind is constrained by definition to the limits of double digit intelligence (quotient).

And so, there is not only reluctance but inability to embrace "scientific findings," often counterintuitive and always threatening the "coziness" of people's unchallenged relationship with The Unconscious


Only two human beings have been asked "What are you?" rather than "Who are you?" 

Yeshua of Nazareth answered with another question: "Who do you say I am?"

Buddha answered: "I am awake."

People prefer sleep to wakefulness.

And when "threatened" by waking, they prefer "conscious" lies and "ideological presumptions" that defend against the incursion of unprecedented knowledge by denial and decibelage.

TED Talk: "The Denial Of Science," by Michael Spector

The conflict between Picketty's re-search and ideologues' settled certainty arises from the latter's inability to countenance "new knowledge." 

And so begins another battle in The War of The Worlds, one "world" depending on hindsightedness, the other eager for "a new heaven and a new earth."

"Arguing against those who said that natural philosophy was contrary to the Christian faith, (Aquinas) writes in his treatise "Faith, Reason and Theology that "even though the natural light of the human mind is inadequate to make known what is revealed by faith, nevertheless what is divinely taught to us by faith cannot be contrary to what we are endowed with by nature. One or the other would have to be false, and since we have both of them from God, he would be the cause of our error, which is impossible." 
"Aladdin's Lamp: How Greek Science Came to Europe Through the Islamic World" by John Freely

I am not unsympathetic to the settledness of tradition. 

It is a pleasant simulacrum of peace.

Prehistoric creatures frozen in amber are beautiful and marvelous.

And after a certain age it is likely advisable to "cut a deal" with your already-formed psyche (no matter how problematic-prickly) than to upset the apple cart trying to re-form it. 

Beyond middle age the clock may well "run out" before "the dust settles."

However, if The Scientific Method -- and scientific findings -- do not achieve critical mass soon, the chaos of "the unconscious" will, if nothing else, continue to contaminate the planet until earth is as bleak as the opening sequence of Interstellar

Like Cooper's own son...

Then, there's political pragmatism, insuring that Picketty's opponents champion "a flat earth" because that's the uni-dimensional world they grew up in and they will not be confused by multi-dimensional alteration.

We Know What To Do. But Politicians Don't Know How To Get Elected If They Do It
http://paxonbothhouses.blogspot.com/2014/05/we-know-what-to-do-but-politicians-dont.html

    George McGovern: "The Case For Liberalism, A Defense Of The Future Against The Past"

    Stewart, Colbert, Oliver Probe The Spectacular Idiocy Of Climate Change Deniers







    Here is a recent essay excerpt probing the historical role of "perspective": 

    It is striking that “The West” did not discover how to represent coherent visual perspective until The Renaissance

    'Til then, the physical world was relatively “flat” --- more or less one dimensional rather than three.

    The Role of Perspective In Shaping the Renaissance

    Of course one can argue – as one can argue anything-- that one dimension is “better” than three... 

    But don't bet the farm!

    Perspective



    “Discovering Linear Perspective”
    Renaissance Connect

    Linear Perspective

    Perspective: Brunelleschi's Revelatory Perception And The Re-Imaging Of Space


    Notably, the world's “First True Scientist,” an Islamic Egyptian named “Alhazen," set forth the rules of visual perspective nearly half a millennium before Renaissance Europeans “discovered” these same principles.

    Ibn al-Haytham, "Alhazen,""The First True Scientist," Trailblazes "Perspective"


    Currently, Pope Francis is implementing the theological equivalent of "full visual perspective," propagating the multi-dimensional realization that Jesus is properly identified as Embodied Love - and by virtue of this identification everyone who embodies love – however imperfectly – enriches The Incarnation by doing the work of God-Love.

    With this identification, Francis has taken Christianity's sectarian, uni-dimensional vision of Love and given it breath, depth and all conceivable space.

    Lacking this multi-dimensional experience of Yeshua, this is how heretofore sand-blind Christian experience played out:

    I was walking across a bridge one day, and I saw a man standing on the edge, about to jump off. So I ran over and said "Stop! Don't do it!""Why shouldn't I?" he said. "Well, there's so much to live for!""Like what?""Well... are you religious?" He said yes. I said, "Me too! Are you Christian or Buddhist?""Christian.""Me too! Are you Catholic or Protestant ? "Protestant.""Me too! Are you Episcopalian or Baptist?""Baptist""Wow! Me too! Are you Baptist Church of God or Baptist Church of the Lord?""Baptist Church of God!""Me too! Are you original Baptist Church of God, or are you reformed Baptist Church of God?""Reformed Baptist Church of God!""Me too! Are you Reformed Baptist Church of God, reformation of 1879, or Reformed Baptist Church of God, reformation of 1915?" He said, "Reformed Baptist Church of God, reformation of 1915!" I said, "Die, heretic scum", and pushed him off. 
    Emo Philips

    Like Teilhard de Chardin before him, Frances is announcing the arrival of The Cosmic Christ, who in St. Paul's world-view, would put an end to the groaning and travail of "the whole Creation's birth."

    "All around us we observe a pregnant creation. The difficult times of pain throughout the world are simply birth pangs." 
    Romans 8:22 The Message

    Pierre Teilhard de Chardin, SJ
    Paleontologist/Cosmologist


    Pope Francis: What Christianity Looks Like When Believers Realize "God Is Love"


    On Sat, Jan 3, 2015 at 5:27 PM, CH wrote:

    Didn't you enjoy those conservative economists attacking Piketty (they had plenty of time to prepare due to the absence of symposia on their work) more in their previous incarnations, Herod and Pilate?
    On Jan 3, 2015 5:22 PM, "Alan Archibald"<alanarchibaldo@gmail.com> wrote:
    Well done lad!

    Stage 2

    Good name for a band.

    Or how 'bout cutting to the chase and just calling it "Schopenhauer?"


    On Sat, Jan 3, 2015 at 5:12 PM, CH wrote:
    Re conservatives debating Piketty (guess they're feeling pretty confident with how well trickle down theory turned out,  and, oh, none of their work ever involved researching actual information, but let's attack the new kid who actually uses evidence to make his points) (and he does not state that capitalism causes inequity he says inequity harms economies and rigidifies societies if r > g ) (this kind of sloppiness is why I dislike hominids)
    Remember Schopenhauer's hisory of ideas: first mocked, then attacked, finally  dismissed  as obvious.
    So we're at stage 2...


    C

    On Jan 3, 2015 3:35 PM, "Alan Archibald"<alanarchibaldo@gmail.com> wrote:
    Dear Chuck,

    Denise and the kids are in NY til tomorrow evening which leaves me open for Blade Runner.

    That said, I appreciate you're engaged with Jarrett.

    This may interest you:
    "Thomas Picketty Undergoes Trial By Peers"

    Pax tecum

    Alan

    On Sat, Jan 3, 2015 at 3:10 PM, CH wrote:
    The former.
    I'll check out the song when I'm not immersed in my "scholarly" exploration of the 17 American Quartet albums ('68-'76) of Keith Jarrett on YouTube.
    See if this interview interests you at all (next post).


    C
    ��

    On Jan 3, 2015 2:47 PM, "Alan Archibald"<alanarchibaldo@gmail.com> wrote:
    Dear Chuck,

    Thanks for your email.

    And, as always, thanks for Music Night!

    It was such fun belting out The Doobie Brothers. Your piano playing was outta the box and thoroughly enjoyable.

    I'm also happy John and Dan like "Who'll Stop The Rain" well enough to play it in future.

    Here's a song recorded by Tommy Graham - who plays sitar and guitar - the life partner of my University of Toronto sweetheart, Jenny Baboolal, of Tunapuna, Trinidad mahn.


    Sahajiya

    I've loved this song since I first heard it in 1970 and hope y'all are willing to give it a go. (One of Sahajiya's virtues is that it "fits" my voice, placing it in an ever-dwindling body of work...)

    ***
    I'm not sure I understand your "take" on Blade Runner...

    Are you saying you'd welcome getting together to see it on Netflix? ... but that you'd pass on Carolina Theater's presentation?

    Or are you saying - on second thought - that you've seen it enough?

    Pax tecum

    Alan



    On Sat, Jan 3, 2015 at 12:37 PM, CH wrote:
    Same cut is also on Netflix, so we can choose our time and watch it safely in the confines of a pausable venue.
    I've seen it so often I'll probably pass.


    C

    On Jan 2, 2015 6:18 PM, "Alan Archibald"<alanarchibaldo@gmail.com> wrote:
    Dear Chuck,

    I know I "should" see Blade Runner.

    But I've always had this bad -- even dreadful, "bad trippy" -- feeling about it.

    I think I would dislike it "orders of magnitude" more than you dislike Rod Stewart.

    With this difference...

    At the end of any verse you can take a break from the horror of Maggie Mae and riff out, whereas for me -- in a dark theater, watching a dark movie -- No Hay Salida!

    Just waiting for Godot.

    Waiting and waiting and...

    On the other hand, if you see clear of my suppositions, I'll give it a go.

    Pax tecum

    Alan 

    On Fri, Jan 2, 2015 at 3:20 AM, CH wrote:
    Any interest in Blade Runner?


    C


    Pope Francis: "Only Love Can Save Us"

    Tolstoy: War Is Hatched By Governments And Is Always Pernicious For Commoners

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    "Why of course the people don't want war... Why would some poor slob on a farm want to risk his life in a war when the best he can get out of it is to come back to his farm in one piece? Naturally the common people don't want war; neither in Russia, nor in England, nor in America, nor for that matter in Germany. That is understood. But after all it is the leaders of the country who determine the policy, and it is always a simple matter to drag the people along, whether it is a democracy or a fascist dictatorship, or a parliament, or a communist dictatorship.... Voice or no voice, the people can always be brought along to do the bidding of the leaders. That is easy. All you have to do is to tell them they are being attacked, and denounce the pacifists for lack of patriotism and exposing the country to danger. It works the same in any country." 
    Hermann Goering, Adolf Hitler's Deputy Chief and Luftwaffe Commander, 
    at the Nuremberg trials, 1946

    "War, Peace And Political Manipulation: Quotations"


    Tolstoy: The One Thing The Moneyed Class Won't Do For The Working Class

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    "A philanthropist is someone who gives away what he should give back."

    ***

    "Plutocracy Triumphant"
    Cartoon Compendium

    "Politics And Economics: The 101 Courses You Wish You Had"

    "Taibbi: The $9 Billion Whistle Blower At JPMorgan-Chase. Financial Thuggery At The Top"


    "The Rich Aren't Just Grabbing A Bigger Slice Of The Pie. They're Taking It All"
    http://paxonbothhouses.blogspot.com/2014/09/the-rich-arent-just-grabbing-bigger.html

    G.K. Chesterton: "The Anarchy of The Rich"

    G.K. Chesterton and Warren Buffett's Class War

    G.K. Chesterton On Charity, Hope And Universal Salvation

    G.K. Chesterton Quotations... And More

    G.K. Chesterton Reviews Martin Scorsese's "Wolf Of Wall Street"




    White Supremacy: God, Guns And Racial Hatred

    Washington Times: "Obama And Pope Are Shoulder To Shoulder Allies"

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    Pope Francis (R) and US President Barack Obama laugh as they exchange gifts during a private audience on March 27, 2014 at the Vatican.
    Pope Francis (R) and US President Barack Obama laugh as they exchange gifts during a private audience on March 27, 2014 at the Vatican.
     
    Saul Loeb/AFP/Getty

    This Week in God, 1.3.15

    First up from the God Machine this week is the increasing relevance of Pope Francis on domestic politics.
     
    The conservative Washington Times reported this week, for example, “President Obama increasingly is finding a key policy ally in the Vatican, with Pope Francis standing virtually shoulder to shoulder with the White House on” several key issues.
     
    The Hill added the same day that the pope “is increasingly driving a wedge between conservatives and the Catholic Church.”
    The magnetic pope has sparked new enthusiasm around the world for the church and has flexed his political muscles internationally, most recently by helping to engineer a new relationship between the United States and Cuba.


     
    But Francis’s agenda, which also includes calls to address income inequality and limit climate change, is putting him at odds with Republicans, including GOP Catholics in the United States.

    This dynamic is likely to intensify fairly soon – Francis is reportedly investing considerable time, energy, and focus in 2015 to urging Catholics around the globe to combat climate change, an environmental crisis that many American Republicans continue to argue does not exist.
     
    Sister Simone Campbell, perhaps best known for organizing the “Nuns on a Bus” tours, told The Hill, “Pope Francis’s message and tone are making Catholic Republicans a little uncomfortable. He’s stirring the concern on issues like poverty and the economy.”
     
    At this point, it’s not entirely clear GOP officials care. When Francis played a role in the recent U.S./Cuba breakthrough, the pope was jeered by Sen. Marco Rubio (R-Fla.), without any apparent concerns about the political or theological repercussions.
     
    Still, the White House is looking for as many notable allies as it can assemble, and on several key issues, it appears Obama and Francis are on the same page. 
     


    Pope's Position On Climate Change Heats Up

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    Pope Francis wants the world leaders to reach an agreement on Global Warming

    Vatican: Pope Francis wants the world leaders to reach an agreement on Global Warming

    According to recent media reports Pope Francis has taken a stance on climate change and may ask worlds 1.2 billion Catholics to take necessary actions against world’s climate change. Experts are saying that, his drive for an international treaty on climate change in the Paris gathering may have alienated some conservative Catholics who have a cynical view on climate change.  But experts are saying that his leadership on the climate change issue may make the nations finally commit to climate change issues.
    Experts are also saying that, the Pope is planning to send an encyclical, on the threats caused by increasing temperature around the world.  The Pope is expected to visit Tacloban in Philippines, which was shattered by the Super-Typhon Haiyan in 2012. The Pope is also expected to address the world leaders on the 70th anniversary of the United Nations in September where he will have a chance to raise the climate change issue.  Chancellor of the Vatican’s Pontifical Academy of Sciences Bishop Marcelo Sorondo said, “Just as humanity confronted revolutionary change in the 19th century at the time of industrialization, today we have changed the natural environment so much”.  The Pope’s new emphasis on climate change is in line with his concern about the poor around the world. Because of the climate change the poor nations are suffering the most. With extreme colder or warmer weathers nations are having draughts or storms, which is causing diseases, shortage of food and uncertainty in their lives.
     Experts are saying that, it is going to be difficult for the Pope to get a commitment from the world leaders on the issue of climate change. But they think that the leaders from different religions can play an important role on the climate change pact. Experts are expecting the religious leaders to push the leaders of the developing countries to adopt a solution on climate change. The climate change experts are saying that the main issue is to convince the leaders’ pf the developing countries to commit financial support for the cause.


    Pope Francis Asks God To Forgive The Curia Its 15 Vatican 'Diseases'

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    The Pope's remarks on New Year's Eve referred to the briefness of life
    The Pope's remarks on New Year's Eve referred to the briefness of life

    Pope Francis asks God to forgive the Curia its 15 Vatican 'diseases'

    Long list of faults has lessons for all as Pope highlights spiritual challenge for his Church

    PUBLISHED04/01/2015




    "Blistering" was how the New York Times described his words to those cardinals and other superiors of the Catholic Church known as "the Curia".
    His attack on what he called "curial diseases" has broader implications for all who care about the future of that Church.
    When Alfred Lord Tennyson wrote his poem The Charge of the Light Brigade, he was commemorating a suicidal assault by 600 British cavalry. But Francis rode alone when he met the Curia.
    Francis even used a cavalry image. The first Jesuit to become pope, this first Spanish-American pontiff reminded the Curia that Spanish Jesuits used to describe their Society of Jesus as the "light brigade of the Church".
    Maybe he spoke of himself when he remembered the transfer of a young Jesuit who, while loading his many possessions on a truck ("suitcases, books, objects and gifts"), heard an old Jesuit who was observing him ask, "this is the light brigade of the Church?".
    But some fear that Pope Francis is less like an heroic horseman in braided uniform than a well-intended Don Quixote, tilting at windmills.
    Inspired by noble ideas, but aided only by the simple Sancho Panza, Spain's Don Quixote set out to undo wrongs and to defend the helpless before things went wrong and he ended up attacking mills that he mistook for giants.
    The Curia is a bureaucratic giant. It wields great power in a Church where every member is equal in principle. It has blocked popes whose proposals or ambitions it did not share.
    You don't have to believe conspiracy theories about the early death of the reforming Pope John Paul I (just 33 days after his election in 1978), to know that any pope can be frustrated by the sheer bureaucracy of the massive organisation that he heads.
    The Curia believes that it has a role in steadying the hand of popes, much as civil servants curb the enthusiasm of a new government minister. But Francis asked God to forgive him and it their failings. He wants the Curia to recognise no less than 15 "diseases" to which it is exposed.
    Francis pulled few punches as he listed these. There is, for example, "the disease of feeling oneself 'immortal' or 'indispensible'". And the sickness of "spiritual Alzheimer's disease". This, he said, is "a progressive decline in the spiritual faculties which… greatly handicaps a person by making him incapable of doing anything on his own, living in a state of absolute dependence on his often imaginary perceptions". "We see it in those who have lost the memory of their encounter with the Lord." Ouch!
    Some cardinals of the Curia may not have liked being publicly scolded by Francis about "the disease of rivalry and vainglory" or "the disease of gossiping, grumbling and back-biting".
    Or how about this all-out cavalry assault? He identified "the disease of existential schizophrenia" as "the disease of those who live a double life, the fruit of that hypocrisy typical of the mediocre and of a progressive spiritual emptiness which no doctorates or academic titles can fill".
    Francis said that this "is a disease which often strikes those who abandon pastoral service and restrict themselves to bureaucratic matters, thus losing contact with reality, with concrete people".
    "In this way they create their own parallel world, where they set aside all that they teach with severity to others and begin to live a hidden and often dissolute life. For this most serious disease conversion is most urgent and indeed indispensable (cf. Lk 15:11-32)."
    Certain cardinals have already made it clear that they are concerned about this Pope's ambitions, and whisper loudly that his attitude lends ammunition to those whom they regard as enemies of their Church.
    Francis chided cardinals and others who suffer from the disease of "self-exhibition", of those who "are ready to slander, defame and discredit others, even in newspapers and magazines". And he ended his list of 15 diseases on a jarring note, singling out a particular unnamed priest. That priest "used to call journalists to tell - and invent - private and confidential matters involving his confrères [brother priests] and parishioners. The only thing he was concerned about was being able to see himself on the front page, since this made him feel 'powerful and glamorous', while causing great harm to others and to the Church". Poor sad soul!
    He quite fairly criticises those who calumniate, defame and discredit others, "even in newspapers and magazines… to put themselves on display and to show that they are more capable than others… often in the name of justice and transparency!". But he might have acknowledged that priests and bishops sometimes have a duty to speak publicly if necessary in order to out wrongdoings such as child abuse.
    He did recall that he "read once that priests are like planes: they only make news when they crash, even though so many of them are in the air. Many people criticise, and few pray for them. It is a very touching, but also a very true saying, because it points to the importance and the frailty of our priestly service, and how much evil a single priest who 'crashes' can do to the whole body of the Church".
    The Pope's chiding of cardinals provides pleasure also to Catholics who hold their hierarchy in something less than the highest honour. But whenever we judge others, we have a moral duty to look in the mirror and see if we ourselves are guilty of such faults on a personal or professional level.
    And Francis is not some kind of secular reformer about to make common cause with all liberals.
    "In fact," he points out, "the Curia - like the Church - cannot live without a vital, personal, authentic and solid relationship with Christ."
    The address to the Curia is available on the Vatican website and is worth reading for another reason. In it, Pope Francis mentions a prayer that he says daily. Believed to have been composed 500 years ago by the English humanist and martyr, Sir Thomas More, the prayer gives us a glimpse into the mind and heart of Pope Francis.
    It goes: "Grant me, O Lord, good digestion, and also something to digest. Grant me a healthy body, and the necessary good humour to maintain it. Grant me a simple soul that knows to treasure all that is good and that doesn't frighten easily at the sight of evil, but rather finds the means to put things back in their place. Give me a soul that knows not boredom, grumbling, sighs and laments, nor excess of stress, because of that obstructing thing called 'I'. Grant me, O Lord, a sense of good humour. Allow me the grace to be able to take a joke and to discover in life a bit of joy, and to be able to share it with others."
    Sunday Independent

    Roger Ebert's 10 Greatest Post-1967 Movies

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    TEN GREATEST FILMS OF ALL TIME

    If I must make a list of the Ten Greatest Films of All Time, my first vow is to make the list for myself, not for anybody else. I am sure than Eisenstein's "The Battleship Potemkin" is a great film, but it's not going on my list simply so I can impress people. Nor will I avoid "Casablanca" simply because it's so popular: I love it all the same.
    If I have a criterion for choosing the greatest films, it's an emotional one. These are films that moved me deeply in one way or another. The cinema is the greatest art form ever conceived for generating emotions in its audience. That's what it does best. (If you argue instead for dance or music, drama or painting, I will reply that the cinema incorporates all of these arts).
    Cinema is not very good, on the other hand, at intellectual, philosophical or political argument. That's where the Marxists were wrong. If a movie changes your vote or your mind, it does so by appealing to your emotions, not your reason. And so my greatest films must be films that had me sitting transfixed before the screen, involved, committed, and feeling.
    Therefore, alphabetically:
    After seeing this film many times, I think I finally understand why I love it so much. It's not because of the romance, or the humor, or the intrigue, although those elements are masterful. It's because it makes me proud of the characters. These are not heroes -- not except for Paul Heinreid's resistance fighter, who in some ways is the most predictable character in the film. These are realists, pragmatists, survivors: Humphrey Bogart's Rick Blaine, who sticks his neck out for nobody, and Claude Rains' police inspector, who follows rules and tries to stay out of trouble. At the end of the film, when they rise to heroism, it is so moving because heroism is not in their makeup. Their better nature simply informs them what they must do.
    The sheer beauty of the film is also compelling. The black-and-white closeups of Ingrid Bergman, the most bravely vulnerable woman in movie history. Bogart with his cigarette and his bottle. Greenstreet and Lorre. Dooley Wilson at the piano, looking up with pain when he sees Bergman enter the room. The shadows. "As Time Goes By." If there is ever a time when they decide that some movies should be spelled with an upper-case M, "Casablanca" should be voted first on the list of Movies.
    I have just seen it again, a shot at a time, analyzing it frame-by-frame out at the University of Colorado at Boulder. We took 10 hours and really looked at this film, which is routinely named the best film of all time, almost by default, in list after list. Maybe it is. It's some movie. It tells of all the seasons of a man's life, shows his weaknesses and hurts, surrounds him with witnesses who remember him but do not know how to explain him. It ends its search for "Rosebud," his dying word, with a final image that explains everything and nothing, and although some critics say the image is superficial, I say it is very deep indeed, because it illustrates the way that human happiness and pain is not found in big ideas but in the little victories or defeats of childhood.
    Few films are more complex, or show more breathtaking skill at moving from one level to another.Orson Welles, with his radio background, was able to segue from one scene to another using sound as his connecting link. In one sustained stretch, he covers 20 years between "Merry Christmas" and "A very happy New Year." The piano playing of Kane's young friend Susan leads into their relationship, his applause leads into his campaign, where applause is the bridge again to a political rally that leads to his downfall, when his relationship with Susan is unmasked. We get a three-part miniseries in five minutes.
    I do not expect many readers to have heard of this film, or of Yasujiro Ozu, who directed it, but this Japanese master, who lived from 1903 to 1963 and whose prolific career bridged the silent and sound eras, saw things through his films in a way that no one else saw. Audiences never stop to think, when they go to the movies, how they understand what a close-up is, or a reaction shot. They learned that language in childhood, and it was codified and popularized by D. W. Griffith, whose films were studied everywhere in the world -- except in Japan, where for a time a distinctively different visual style seemed to be developing. Ozu fashioned his style by himself, and never changed it, and to see his films is to be inside a completely alternative cinematic language.
    "Floating Weeds," like many of his films, is deceptively simple. It tells of a troupe of traveling actors who return to an isolated village where their leader left a woman behind many years ago -- and, we discover, he also left a son. Ozu weaves an atmosphere of peaceful tranquility, of music and processions and leisurely conversations, and then explodes his emotional secrets, which cause people to discover their true natures. It is all done with hypnotic visual beauty. After years of being available only in a shabby, beaten-up version usually known as "Drifting Weeds," this film has now been re-released in superb videotape and laserdisc editions.
    This film, not to be confused in any way with "Heaven's Gate" (or with "Gates of Hell," for that matter) is a bottomless mystery to me, infinitely fascinating. Made in the late 1970s by Errol Morris, it would appear to be a documentary about some people involved in a couple of pet cemeteries in Northern California. Oh, it's factual enough: The people in this film really exist, and so does the pet cemetery. But Morris is not concerned with his apparent subject. He has made a film about life and death, pride and shame, deception and betrayal, and the stubborn quirkiness of human nature.
    He points his camera at his subjects and lets them talk. But he points it for hours on end, patiently until finally they use the language in ways that reveal their most hidden parts. I am moved by the son who speaks of success but cannot grasp it, the old man whose childhood pet was killed, the cocky guy who runs the tallow plant, the woman who speaks of her dead pet and says, "There's your dog, and your dog's dead. But there has to be something that made it move. Isn't there?" In those words is the central question of every religion. And then, in the extraordinary centerpiece of the film, there is the old woman Florence Rasmussen, sitting in the doorway of her home, delivering a spontaneous monolog that Faulkner would have killed to have written.
    Fellini's 1960 film has grown passe in some circles, I'm afraid, but I love it more than ever. Forget about its message, about the "sweet life" along Rome's Via Veneto, or about the contrasts between the sacred and the profane. Simply look at Fellini's ballet of movement and sound, the graceful way he choreographs the camera, the way the actors move. He never made a more "Felliniesque" film, or a better one.
    Then sneak up on the subject from inside. Forget what made this film trendy and scandalous more than 30 years ago. Ask what it really says. It is about a man (Marcello Mastroianni in his definitive performance) driven to distraction by his hunger for love, and driven to despair by his complete inability to be able to love. He seeks love from the neurosis of his fiancee, through the fleshy carnality of a movie goddess, from prostitutes and princesses. He seeks it in miracles and drunkenness, at night and at dawn. He thinks he can glimpse it in the life of his friend Steiner, who has a wife and children and a home where music is played and poetry read. But Steiner is as despairing as he is. And finally Marcello gives up and sells out and at dawn sees a pale young girl who wants to remind him of the novel he meant to write someday, but he is hung over and cannot hear her shouting across the waves, and so the message is lost.
    I do not have the secret of Alfred Hitchcock and neither, I am convinced, does anyone else. He made movies that do not date, that fascinate and amuse, that everybody enjoys and that shout out in every frame that they are by Hitchcock. In the world of film he was known simply as The Master. But what was he the Master of? What was his philosophy, his belief, his message? It appears that he had none. His purpose was simply to pluck the strings of human emotion -- to play the audience, he said, like a piano. Hitchcock was always hidden behind the genre of the suspense film, but as you see his movies again and again, the greatness stays after the suspense becomes familiar. He made pure movies.
    "Notorious" is my favorite Hitchcock, a pairing of Cary Grant and Ingrid Bergman, with Claude Rains the tragic third corner of the triangle. Because she loves Grant, she agrees to seduce Rains, a Nazi spy. Grant takes her act of pure love as a tawdry thing, proving she is a notorious woman. And when Bergman is being poisoned, he misreads her confusion as drunkenness. While the hero plays a rat, however, the villain (Rains) becomes an object of sympathy. He does love this woman. He would throw over all of Nazi Germany for her, probably -- if he were not under the spell of his domineering mother, who pulls his strings until they choke him.
    Ten years ago, Martin Scorsese's "Taxi Driver" was on my list of the ten best films. I think "Raging Bull" addresses some of the same obsessions, and is a deeper and more confident film. Scorsese used the same actor, Robert De Niro, and the same screenwriter, Paul Schrader, for both films, and they have the same buried themes: A man's jealousy about a woman, made painful by his own impotence, and expressed through violence.
    Some day if you want to see movie acting as good as any ever put on the screen, look at a scene two-thirds of the way through "Raging Bull." It takes place in the living room of Jake LaMotta, the boxing champion played by De Niro. He is fiddling with a TV set. His wife comes in, says hello, kisses his brother, and goes upstairs. This begins to bother LaMotta. He begins to quiz his brother (Joe Pesci). The brother says he don't know nothin'. De Niro says maybe he doesn't know what he knows. The way the dialog expresses the inner twisting logic of his jealousy is insidious. De Niro keeps talking, and Pesci tries to run but can't hide. And step by step, word by word, we witness a man helpless to stop himself from destroying everyone who loves him.
    This movie is on the altar of my love for the cinema. I saw it for the first time in a little fleabox of a theater on the Left Bank in Paris, in 1962, during my first $5 a day trip to Europe. It was so sad, so beautiful, so romantic, that it became at once a part of my own memories -- as if it had happened to me. There is infinite poignancy in the love that the failed writer Holly Martins (Joseph Cotten) feels for the woman (Alida Valli) who loves the "dead" Harry Lime (Orson Welles). Harry treats her horribly, but she loves her idea of him, he neither he nor Holly can ever change that. Apart from the story, look at the visuals! The tense conversation on the giant ferris wheel. The giant, looming shadows at night. The carnivorous faces of people seen in the bombed-out streets of postwar Vienna, where the movie was shot on location. The chase through the sewers. And of course the moment when the cat rubs against a shoe in a doorway, and Orson Welles makes the most dramatic entrance in the history of the cinema. All done to the music of a single zither.
    I have very particular reasons for including this film, which is the least familiar title on my list but one which I defy anyone to watch without fascination. No other film I have ever seen does a better job of illustrating the mysterious and haunting way in which the cinema bridges time. The movies themselves play with time, condensing days or years into minutes or hours. Then going to old movies defies time, because we see and hear people who are now dead, sounding and looking exactly the same. Then the movies toy with our personal time, when we revisit them, by recreating for us precisely the same experience we had before. Then look what Michael Apted does with time in this documentary, which he began more than 30 years ago. He made a movie called "7-Up" for British television. It was about a group of British 7-year-olds, their dreams, fears, ambitions, families, prospects. Fair enough. Then, seven years later, he made "14 Up," revisiting them. Then came "21 Up" and, in 1985. "28 Up," and next year, just in time for the Sight & Sound list, will come "35 Up." And so the film will continue to grow... 42... 49... 56... 63... until Apted or his subjects are dead.
    The miracle of the film is that it shows us that the seeds of the man are indeed in the child. In a sense, the destinies of all of these people can be guessed in their eyes, the first time we see them. Some do better than we expect, some worse, one seems completely bewildered. But the secret and mystery of human personality is there from the first. This ongoing film is an experiment unlike anything else in film history.
    Film can take us where we cannot go. It can also take our minds outside their shells, and this film byStanley Kubrick is one of the great visionary experiences in the cinema. Yes, it was a landmark of special effects, so convincing that years later the astronauts, faced with the reality of outer space, compared it to "2001." But it was also a landmark of non-narrative, poetic filmmaking, in which the connections were made by images, not dialog or plot. An ape uses to learn a bone as a weapon, and this tool, flung into the air, transforms itself into a space ship--the tool that will free us from the bondage of this planet. And then the spaceship takes man on a voyage into the interior of what may be the mind of another species.
    The debates about the "meaning" of this film still go on. Surely the whole point of the film is that it is beyond meaning, that it takes its character to a place he is so incapable of understanding that a special room--sort of a hotel room--has to be prepared for him there, so that he will not go mad. The movie lyrically and brutally challenges us to break out of the illusion that everyday mundane concerns are what must preoccupy us. It argues that surely man did not learn to think and dream, only to deaden himself with provincialism and selfishness. "2001" is a spiritual experience. But then all good movies are.

    U.S. Murders Continue 20 Year Decline To Record Low Levels

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    America’s 2014 Murder Capital

    Last year, America’s big cities continued the slow but steady decline in murders—even as the number of shootings were on the rise.
    Last year, America’s big cities continued the slow, but steady decline in murders.
    Though not at the breakneck pace we saw last year, the nation’s largest cities continued to witness steady declines in both total murders and murder rates in 2014.
    Data provided by police departments in the 10 cities with the highest number of murders in 2013 shows that six out of 10 saw a significant drops in both total murders and murder rates in 2014. Baltimore and Detroit led the pack with the sharpest declines over last year, but a look at an impressive big picture shows that Los Angeles and New York have managed to cut murders in their city by roughly half. Not every mayor will be celebrating, however—Philadelphia couldn’t make a dent in its homicides this year, and both Indianapolis and Houston saw some significant increases.


    1. Chicago—407
    It still tops the list, but Chicago, nicknamed Chiraq because of the nonstop violent crimes within its city limits, has seen a decrease in the overall number of murders and rate over the last decade. Murders are slightly down from 414 last year, but have fallen by about one—third since 2003. Fewer dead people doesn’t mean less gun violence though: 327 more people were shot in 2014 than the year before, an increase of 14 percent. So the falling murders might have less to do with decreased violence and more to do with the skill of medical professionals or the lack of proficiency of gunmen.
    2. New York—328
    Murder in the Big Apple fell by 14 percent in 2014. As in Chicago, New York police are reporting that though homicides are down, shootings were on the rise; 100 more people were shot in 2014 than in the year before.  But city officials did note overall crime—including burglaries, robberies, rapes and felony assaults—had fallen from the year before, a feat even more remarkable in light of the mayor’s strained relationship with law enforcement and the curtailing of the NYPD’s controversial stop-and-frisk policy.
    As in Chicago, New York police are reporting that though homicides are down, shootings were on the rise.
    3. Detroit—304
    Detroit saw further reductions in murder this year, continuing a slow but stable decline. The total number of murders and the corresponding rate fell by about 9 percent from last year. This preliminary count provided by the Detroit Police Department puts the city on track for the lowest since 1967, when 281 people were killed. Still, thanks in part to an ever-shrinking population, Detroit tops the nation when it comes to murder rate; at 43.4 murders per 100,000 residents, Detroit’s murder rate is 10 times that of New York City.
    4. Los Angeles—259
    After years of consistent decreases, Los Angles saw a slight rise in homicides in 2014, up 3 percent from last year, according to preliminary numbers released by the Los Angeles Police Department. Murders in the City of Angels have fallen by about half in the last 10 years: no small feat for such a big city.  Take this data with a grain of salt, however; the LAPD landed in hot water this year after a Los Angeles Times investigation discovered the department had been misclassifying violent crimes.
    5. Philadelphia—248
    The City of Brotherly Love lost one more resident to murder last year that the year before, and crime in the city overall—excluding thefts—is down, according to Police Commissioner Charles Ramsey. And unlike Chicago and New York City, total shootings have gone down, too, from 1,128 in 2013, to 1,047 in 2014, and down by a third from 2007. Police Commissioner Charles Ramsey credited the police department’s data-driven policing tactics for the overall drop in crime and said at a press conference, “We’re nowhere near what this city has seen for decades, when 400 was the number before anybody began to really panic.”
    6. Houston—239
    Texas’ largest city was one of the few across the U.S. to see a dramatic rise in murders last year, up from 214 in 2013, a 12 percent increase. According to these unofficial numbers released by the department, as of December 30, more than 25 people had been killed in the city than in the year prior.
    7. Baltimore—217
    Baltimore was one of the few cities in 2013 to see its murder rate increase, but 2014 brought the trend back in the right direction. Twenty-two fewer people lost their lives last year—an almost 10 percent decrease—though the murder rate per capita still puts it just below Detroit and New Orleans. Shootings and other violent crimes were also down last year, but in a disconcerting turn, juvenile homicides reached a three-year high.
    Detroit’s murder rate is 10 times that of New York City.
    8. New Orleans—150
    The number of murders in New Orleans fell again last year, from 156 in 2013, the lowest count the city has seen since 1985. Shootings, however, were up by 23 percent, again suggesting violence hasn’t left the city. Police Superintendent Michael Harrison said the decline was a result of an effort to decrease gang violence. Still, at a rate of roughly 40 per 100,000 residents, The Big Easy is competing with Detroit to be the nation’s murder capital.
    9. Indianapolis—135
    Indiana’s capital is one of the few places on our list to see a real increase in murders this year. According to the Indianapolis police, 135 people were killed there this year, an 8 percent increase from the year before and 26 percent over the last decade. The increase pushes the murder rate to the third-highest rate on record, and for the second year, the rate surpasses Chicago’s. Deputy Public Safety Director Valerie Washington told local station WTHITV, “We’re really still looking at those numbers to determine all the root causes as far as what the driving force is. We know that the heroin use is up. We know we’ve had a number of multiple victim homicides.”
    10. Dallas—111*
    Dallas police could only provide preliminary data through December 16, but if the current trend were to continue, we would expect to see about five more murders for the year. At least two additional murders in 2014 were reported by the local media, but even five additional murders would still mean a significant drop for the city overall from 2013.

    Pope Francis Says This Prayer Daily

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    Believed to have been composed 500 years ago by the English humanist and martyr, Sir Thomas More, Pope Francis' daily prayer gives us a glimpse into the mind and heart of the pontiff.
    It goes: "Grant me, O Lord, good digestion, and also something to digest. Grant me a healthy body, and the necessary good humour to maintain it. Grant me a simple soul that knows to treasure all that is good and that doesn't frighten easily at the sight of evil, but rather finds the means to put things back in their place. Give me a soul that knows not boredom, grumbling, sighs and laments, nor excess of stress, because of that obstructing thing called 'I'. Grant me, O Lord, a sense of good humour. Allow me the grace to be able to take a joke and to discover in life a bit of joy, and to be able to share it with others."
     
    Sir/Saint Thomas More
    ***
    The 1966 Oscar-winning "A Man For All Seasons" is an exceptionally well-crafted film starring brilliant British actor Paul Schofield who is mostly known for his stage work.
    http://www.imdb.com/title/tt0060665/?ref_=nv_sr_1


    Pope Names 15 Cardinals From Across Globe; New Zealand, Tonga, Myanmar

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    Cardinal-designate Baselios Cleemis Thottunkal, Syro-Malankara archbishop of Trivandrum, India,
    Appointed by Benedict XVI in 2012
    http://en.wikipedia.org/wiki/Baselios_Cleemis

    Pope Names 15 Cardinals From Across Globe

    Appointment of cardinals from Asia and Africa reflects growth of church as pontiff schedules February meeting to discuss reform of Curia
    Video interview with Catholic Reporter correspondent, John Allen: http://www.cnn.com/2015/01/04/world/vatican-pope-new-cardinals/

    Pope Francis has named 15 new cardinals from 14 nations, including Tonga, New Zealand, Cape Verde and Myanmar, reflecting the diversity of the church and its growth in Asia and Africa.
    Other cardinals hail from Ethiopia, Thailand and Vietnam. Another is from Sicily, where the church in recent decades has been galvanising public rejection of the mafia. (Last year Francis named 19 new cardinals. Of the 39 cardinals Francis has named thus far, none have been from the United States.)
    Referring to the Vatican, Francis told faithful in St Peter’s Square that the churchmen come from every continent and “show the indelible tie with the church of Rome to churches in the world”.
    In addition to the 15 new cardinals – who are under 80 and thus eligible to vote for the next pope – Francis bestowed the honour on five older churchmen. He said they distinguished themselves for their work in the Vatican bureaucracy, and in diplomatic service in giving witness to their love of Christ and God’s people. Those included men from Peru and Mozambique.
    Speaking from a Vatican window to a crowd in St Peter’s Square, Francis made another surprise announcement. He said that on 12 and 13 February he would lead a meeting of all cardinals to “reflect on the orientations and proposals for the reform of the Roman Curia”, the Vatican’s administrative bureaucracy.
    Francis is using his papacy, which began in March 2013, to root out corruption, inefficiency and other problems in the Curia.

    New Yorker Cartoon: America As Seen From The Monastery

    New Yorker Cartoon: Popularity


    New Yorker Cartoon: White Privilege

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    "Use your White Privilege, Luke."



    New Yorker Cartoon: Getting To The Heart Of Reward Systems

    New Yorker Cartoon Caption Contest, January 5th, 2015

    "The End Of Men." Most Workers Are Women. Most Managers Are Women

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    John Ritter

    The End of Men

    Earlier this year, women became the majority of the workforce for the first time in U.S. history. Most managers are now women too. And for every two men who get a college degree this year, three women will do the same. For years, women’s progress has been cast as a struggle for equality. But what if equality isn’t the end point? What if modern, postindustrial society is simply better suited to women? A report on the unprecedented role reversal now under way— and its vast cultural consequences
    IN THE 1970s the biologist Ronald Ericsson came up with a way to separate sperm carrying the male-producing Y chromosome from those carrying the X. He sent the two kinds of sperm swimming down a glass tube through ever-thicker albumin barriers. The sperm with the X chromosome had a larger head and a longer tail, and so, he figured, they would get bogged down in the viscous liquid. The sperm with the Y chromosome were leaner and faster and could swim down to the bottom of the tube more efficiently. Ericsson had grown up on a ranch in South Dakota, where he’d developed an Old West, cowboy swagger. The process, he said, was like “cutting out cattle at the gate.” The cattle left flailing behind the gate were of course the X’s, which seemed to please him. He would sometimes demonstrate the process using cartilage from a bull’s penis as a pointer.

    In the late 1970s, Ericsson leased the method to clinics around the U.S., calling it the first scientifically proven method for choosing the sex of a child. Instead of a lab coat, he wore cowboy boots and a cowboy hat, and doled out his version of cowboy poetry. (People magazine once suggested a TV miniseries based on his life called Cowboy in the Lab.) The right prescription for life, he would say, was “breakfast at five-thirty, on the saddle by six, no room for Mr. Limp Wrist.” In 1979, he loaned out his ranch as the backdrop for the iconic “Marlboro Country” ads because he believed in the campaign’s central image—“a guy riding on his horse along the river, no bureaucrats, no lawyers,” he recalled when I spoke to him this spring. “He’s the boss.” (The photographers took some 6,500 pictures, a pictorial record of the frontier that Ericsson still takes great pride in.)


    VIDEO: In this family feud, Hanna Rosin and her daughter, Noa, debate the superiority of women with Rosin’s son, Jacob, and husband, Slate editor David Plotz

    Feminists of the era did not take kindly to Ericsson and his Marlboro Man veneer. To them, the lab cowboy and his sperminator portended a dystopia of mass-produced boys. “You have to be concerned about the future of all women,” Roberta Steinbacher, a nun-turned-social-psychologist, said in a 1984 Peopleprofile of Ericsson. “There’s no question that there exists a universal preference for sons.” Steinbacher went on to complain about women becoming locked in as “second-class citizens” while men continued to dominate positions of control and influence. “I think women have to ask themselves, ‘Where does this stop?’” she said. “A lot of us wouldn’t be here right now if these practices had been in effect years ago.”

    Ericsson, now 74, laughed when I read him these quotes from his old antagonist. Seldom has it been so easy to prove a dire prediction wrong. In the ’90s, when Ericsson looked into the numbers for the two dozen or so clinics that use his process, he discovered, to his surprise, that couples were requesting more girls than boys, a gap that has persisted, even though Ericsson advertises the method as more effective for producing boys. In some clinics, Ericsson has said, the ratio is now as high as 2 to 1. Polling data on American sex preference is sparse, and does not show a clear preference for girls. But the picture from the doctor’s office unambiguously does. A newer method for sperm selection, called MicroSort, is currently completing Food and Drug Administration clinical trials. The girl requests for that method run at about 75 percent.

    Even more unsettling for Ericsson, it has become clear that in choosing the sex of the next generation, he is no longer the boss. “It’s the women who are driving all the decisions,” he says—a change the MicroSort spokespeople I met with also mentioned. At first, Ericsson says, women who called his clinics would apologize and shyly explain that they already had two boys. “Now they just call and [say] outright, ‘I want a girl.’ These mothers look at their lives and think their daughters will have a bright future their mother and grandmother didn’t have, brighter than their sons, even, so why wouldn’t you choose a girl?”

    Why wouldn’t you choose a girl? That such a statement should be so casually uttered by an old cowboy like Ericsson—or by anyone, for that matter—is monumental. For nearly as long as civilization has existed, patriarchy—enforced through the rights of the firstborn son—has been the organizing principle, with few exceptions. Men in ancient Greece tied off their left testicle in an effort to produce male heirs; women have killed themselves (or been killed) for failing to bear sons. In her iconic 1949 book, TheSecond Sex, the French feminist Simone de Beauvoir suggested that women so detested their own “feminine condition” that they regarded their newborn daughters with irritation and disgust. Now the centuries-old preference for sons is eroding—or even reversing. “Women of our generation want daughters precisely because we like who we are,” breezes one woman in Cookie magazine. Even Ericsson, the stubborn old goat, can sigh and mark the passing of an era. “Did male dominance exist? Of course it existed. But it seems to be gone now. And the era of the firstborn son is totally gone.”

    Ericsson’s extended family is as good an illustration of the rapidly shifting landscape as any other. His 26-year-old granddaughter—“tall, slender, brighter than hell, with a take-no-prisoners personality”—is a biochemist and works on genetic sequencing. His niece studied civil engineering at the University of Southern California. His grandsons, he says, are bright and handsome, but in school “their eyes glaze over. I have to tell ’em: ‘Just don’t screw up and crash your pickup truck and get some girl pregnant and ruin your life.’” Recently Ericsson joked with the old boys at his elementary-school reunion that he was going to have a sex-change operation. “Women live longer than men. They do better in this economy. More of ’em graduate from college. They go into space and do everything men do, and sometimes they do it a whole lot better. I mean, hell, get out of the way—these females are going to leave us males in the dust.”

    Man has been the dominant sex since, well, the dawn of mankind. But for the first time in human history, that is changing—and with shocking speed. Cultural and economic changes always reinforce each other. And the global economy is evolving in a way that is eroding the historical preference for male children, worldwide. Over several centuries, South Korea, for instance, constructed one of the most rigid patriarchal societies in the world. Many wives who failed to produce male heirs were abused and treated as domestic servants; some families prayed to spirits to kill off girl children. Then, in the 1970s and ’80s, the government embraced an industrial revolution and encouraged women to enter the labor force. Women moved to the city and went to college. They advanced rapidly, from industrial jobs to clerical jobs to professional work. The traditional order began to crumble soon after. In 1990, the country’s laws were revised so that women could keep custody of their children after a divorce and inherit property. In 2005, the court ruled that women could register children under their own names. As recently as 1985, about half of all women in a national survey said they “must have a son.” That percentage fell slowly until 1991 and then plummeted to just over 15 percent by 2003. Male preference in South Korea “is over,” says Monica Das Gupta, a demographer and Asia expert at the World Bank. “It happened so fast. It’s hard to believe it, but it is.” The same shift is now beginning in other rapidly industrializing countries such as India and China.

    Up to a point, the reasons behind this shift are obvious. As thinking and communicating have come to eclipse physical strength and stamina as the keys to economic success, those societies that take advantage of the talents of all their adults, not just half of them, have pulled away from the rest. And because geopolitics and global culture are, ultimately, Darwinian, other societies either follow suit or end up marginalized. In 2006, the Organization for Economic Cooperation and Development devised the Gender, Institutions and Development Database, which measures the economic and political power of women in 162 countries. With few exceptions, the greater the power of women, the greater the country’s economic success. Aid agencies have started to recognize this relationship and have pushed to institute political quotas in about 100 countries, essentially forcing women into power in an effort to improve those countries’ fortunes. In some war-torn states, women are stepping in as a sort of maternal rescue team. Liberia’s president, Ellen Johnson Sirleaf, portrayed her country as a sick child in need of her care during her campaign five years ago. Postgenocide Rwanda elected to heal itself by becoming the first country with a majority of women in parliament.

    In feminist circles, these social, political, and economic changes are always cast as a slow, arduous form of catch-up in a continuing struggle for female equality. But in the U.S., the world’s most advanced economy, something much more remarkable seems to be happening. American parents are beginning to choose to have girls over boys. As they imagine the pride of watching a child grow and develop and succeed as an adult, it is more often a girl that they see in their mind’s eye.

    What if the modern, postindustrial economy is simply more congenial to women than to men? For a long time, evolutionary psychologists have claimed that we are all imprinted with adaptive imperatives from a distant past: men are faster and stronger and hardwired to fight for scarce resources, and that shows up now as a drive to win on Wall Street; women are programmed to find good providers and to care for their offspring, and that is manifested in more- nurturing and more-flexible behavior, ordaining them to domesticity. This kind of thinking frames our sense of the natural order. But what if men and women were fulfilling not biological imperatives but social roles, based on what was more efficient throughout a long era of human history? What if that era has now come to an end? More to the point, what if the economics of the new era are better suited to women?

    Once you open your eyes to this possibility, the evidence is all around you. It can be found, most immediately, in the wreckage of the Great Recession, in which three-quarters of the 8 million jobs lost were lost by men. The worst-hit industries were overwhelmingly male and deeply identified with macho: construction, manufacturing, high finance. Some of these jobs will come back, but the overall pattern of dislocation is neither temporary nor random. The recession merely revealed—and accelerated—a profound economic shift that has been going on for at least 30 years, and in some respects even longer.
    Earlier this year, for the first time in American history, the balance of the workforce tipped toward women, who now hold a majority of the nation’s jobs. The working class, which has long defined our notions of masculinity, is slowly turning into a matriarchy, with men increasingly absent from the home and women making all the decisions. Women dominate today’s colleges and professional schools—for every two men who will receive a B.A. this year, three women will do the same. Of the 15 job categories projected to grow the most in the next decade in the U.S., all but two are occupied primarily by women. Indeed, the U.S. economy is in some ways becoming a kind of traveling sisterhood: upper-class women leave home and enter the workforce, creating domestic jobs for other women to fill.

    The postindustrial economy is indifferent to men’s size and strength. The attributes that are most valuable today—social intelligence, open communication, the ability to sit still and focus—are, at a minimum, not predominantly male. In fact, the opposite may be true. Women in poor parts of India are learning English faster than men to meet the demands of new global call centers. Women own more than 40 percent of private businesses in China, where a red Ferrari is the new status symbol for female entrepreneurs. Last year, Iceland elected Prime Minister Johanna Sigurdardottir, the world’s first openly lesbian head of state, who campaigned explicitly against the male elite she claimed had destroyed the nation’s banking system, and who vowed to end the “age of testosterone.”

    Yes, the U.S. still has a wage gap, one that can be convincingly explained—at least in part—by discrimination. Yes, women still do most of the child care. And yes, the upper reaches of society are still dominated by men. But given the power of the forces pushing at the economy, this setup feels like the last gasp of a dying age rather than the permanent establishment. Dozens of college women I interviewed for this story assumed that they very well might be the ones working while their husbands stayed at home, either looking for work or minding the children. Guys, one senior remarked to me, “are the new ball and chain.” It may be happening slowly and unevenly, but it’s unmistakably happening: in the long view, the modern economy is becoming a place where women hold the cards.
    In his final book, The Bachelors’ Ball, published in 2007, the sociologist Pierre Bourdieu describes the changing gender dynamics of Béarn, the region in southwestern France where he grew up. The eldest sons once held the privileges of patrimonial loyalty and filial inheritance in Béarn. But over the decades, changing economic forces turned those privileges into curses. Although the land no longer produced the impressive income it once had, the men felt obligated to tend it. Meanwhile, modern women shunned farm life, lured away by jobs and adventure in the city. They occasionally returned for the traditional balls, but the men who awaited them had lost their prestige and become unmarriageable. This is the image that keeps recurring to me, one that Bourdieu describes in his book: at the bachelors’ ball, the men, self-conscious about their diminished status, stand stiffly, their hands by their sides, as the women twirl away.

    The role reversal that’s under way between American men and women shows up most obviously and painfully in the working class. In recent years, male support groups have sprung up throughout the Rust Belt and in other places where the postindustrial economy has turned traditional family roles upside down. Some groups help men cope with unemployment, and others help them reconnect with their alienated families. Mustafaa El-Scari, a teacher and social worker, leads some of these groups in Kansas City. El-Scari has studied the sociology of men and boys set adrift, and he considers it his special gift to get them to open up and reflect on their new condition. The day I visited one of his classes, earlier this year, he was facing a particularly resistant crowd.

    None of the 30 or so men sitting in a classroom at a downtown Kansas City school have come for voluntary adult enrichment. Having failed to pay their child support, they were given the choice by a judge to go to jail or attend a weekly class on fathering, which to them seemed the better deal. This week’s lesson, from a workbook called Quenching the Father Thirst, was supposed to involve writing a letter to a hypothetical estranged 14-year-old daughter named Crystal, whose father left her when she was a baby. But El-Scari has his own idea about how to get through to this barely awake, skeptical crew, and letters to Crystal have nothing to do with it.

    Like them, he explains, he grew up watching Bill Cosby living behind his metaphorical “white picket fence”—one man, one woman, and a bunch of happy kids. “Well, that check bounced a long time ago,” he says. “Let’s see,” he continues, reading from a worksheet. What are the four kinds of paternal authority? Moral, emotional, social, and physical. “But you ain’t none of those in that house. All you are is a paycheck, and now you ain’t even that. And if you try to exercise your authority, she’ll call 911. How does that make you feel? You’re supposed to be the authority, and she says, ‘Get out of the house, bitch.’ She’s calling you ‘bitch’!”

    The men are black and white, their ages ranging from about 20 to 40. A couple look like they might have spent a night or two on the streets, but the rest look like they work, or used to. Now they have put down their sodas, and El-Scari has their attention, so he gets a little more philosophical. “Who’s doing what?” he asks them. “What is our role? Everyone’s telling us we’re supposed to be the head of a nuclear family, so you feel like you got robbed. It’s toxic, and poisonous, and it’s setting us up for failure.” He writes on the board: $85,000. “This is her salary.” Then: $12,000. “This is your salary. Who’s the damn man? Who’s the man now?” A murmur rises. “That’s right. She’s the man.”

    Judging by the men I spoke with afterward, El-Scari seemed to have pegged his audience perfectly. Darren Henderson was making $33 an hour laying sheet metal, until the real-estate crisis hit and he lost his job. Then he lost his duplex—“there’s my little piece of the American dream”—then his car. And then he fell behind on his child-support payments. “They make it like I’m just sitting around,” he said, “but I’m not.” As proof of his efforts, he took out a new commercial driver’s permit and a bartending license, and then threw them down on the ground like jokers, for all the use they’d been. His daughter’s mother had a $50,000-a-year job and was getting her master’s degree in social work. He’d just signed up for food stamps, which is just about the only social-welfare program a man can easily access. Recently she’d seen him waiting at the bus stop. “Looked me in the eye,” he recalled, “and just drove on by.”

    The men in that room, almost without exception, were casualties of the end of the manufacturing era. Most of them had continued to work with their hands even as demand for manual labor was declining. Since 2000, manufacturing has lost almost 6 million jobs, more than a third of its total workforce, and has taken in few young workers. The housing bubble masked this new reality for a while, creating work in construction and related industries. Many of the men I spoke with had worked as electricians or builders; one had been a successful real-estate agent. Now those jobs are gone too. Henderson spent his days shuttling between unemployment offices and job interviews, wondering what his daughter might be doing at any given moment. In 1950, roughly one in 20 men of prime working age, like Henderson, was not working; today that ratio is about one in five, the highest ever recorded.

    Men dominate just two of the 15 job categories projected to grow the most over the next decade: janitor and computer engineer. Women have everything else—nursing, home health assistance, child care, food preparation. Many of the new jobs, says Heather Boushey of the Center for American Progress, “replace the things that women used to do in the home for free.” None is especially high-paying. But the steady accumulation of these jobs adds up to an economy that, for the working class, has become more amenable to women than to men.

    The list of growing jobs is heavy on nurturing professions, in which women, ironically, seem to benefit from old stereotypes and habits. Theoretically, there is no reason men should not be qualified. But they have proved remarkably unable to adapt. Over the course of the past century, feminism has pushed women to do things once considered against their nature—first enter the workforce as singles, then continue to work while married, then work even with small children at home. Many professions that started out as the province of men are now filled mostly with women—secretary and teacher come to mind. Yet I’m not aware of any that have gone the opposite way. Nursing schools have tried hard to recruit men in the past few years, with minimal success. Teaching schools, eager to recruit male role models, are having a similarly hard time. The range of acceptable masculine roles has changed comparatively little, and has perhaps even narrowed as men have shied away from some careers women have entered.As Jessica Grose wrote in Slate, men seem “fixed in cultural aspic.” And with each passing day, they lag further behind.
    As we recover from the Great Recession, some traditionally male jobs will return—men are almost always harder-hit than women in economic downturns because construction and manufacturing are more cyclical than service industries—but that won’t change the long-term trend. When we look back on this period, argues Jamie Ladge, a business professor at Northeastern University, we will see it as a “turning point for women in the workforce.”

    The economic and cultural power shift from men to women would be hugely significant even if it never extended beyond working-class America. But women are also starting to dominate middle management, and a surprising number of professional careers as well. According to the Bureau of Labor Statistics, women now hold 51.4 percent of managerial and professional jobs—up from 26.1 percent in 1980. They make up 54 percent of all accountants and hold about half of all banking and insurance jobs. About a third of America’s physicians are now women, as are 45 percent of associates in law firms—and both those percentages are rising fast. A white-collar economy values raw intellectual horsepower, which men and women have in equal amounts. It also requires communication skills and social intelligence, areas in which women, according to many studies, have a slight edge. Perhaps most important—for better or worse—it increasingly requires formal education credentials, which women are more prone to acquire, particularly early in adulthood. Just about the only professions in which women still make up a relatively small minority of newly minted workers are engineering and those calling on a hard-science background, and even in those areas, women have made strong gains since the 1970s.

    Office work has been steadily adapting to women—and in turn being reshaped by them—for 30 years or more. Joel Garreau picks up on this phenomenon in his 1991 book, Edge City, which explores the rise of suburbs that are home to giant swaths of office space along with the usual houses and malls. Companies began moving out of the city in search not only of lower rent but also of the “best educated, most conscientious, most stable workers.” They found their brightest prospects among “underemployed females living in middle-class communities on the fringe of the old urban areas.” As Garreau chronicles the rise of suburban office parks, he places special emphasis on 1978, the peak year for women entering the workforce. When brawn was off the list of job requirements, women often measured up better than men. They were smart, dutiful, and, as long as employers could make the jobs more convenient for them, more reliable. The 1999 movie Office Space was maybe the first to capture how alien and dispiriting the office park can be for men. Disgusted by their jobs and their boss, Peter and his two friends embezzle money and start sleeping through their alarm clocks. At the movie’s end, a male co-worker burns down the office park, and Peter abandons desk work for a job in construction.

    Near the top of the jobs pyramid, of course, the upward march of women stalls. Prominent female CEOs, past and present, are so rare that they count as minor celebrities, and most of us can tick off their names just from occasionally reading the business pages: Meg Whitman at eBay, Carly Fiorina at Hewlett-Packard, Anne Mulcahy and Ursula Burns at Xerox, Indra Nooyi at PepsiCo; the accomplishment is considered so extraordinary that Whitman and Fiorina are using it as the basis for political campaigns. Only 3 percent of Fortune 500 CEOs are women, and the number has never risen much above that.

    But even the way this issue is now framed reveals that men’s hold on power in elite circles may be loosening. In business circles, the lack of women at the top is described as a “brain drain” and a crisis of “talent retention.” And while female CEOs may be rare in America’s largest companies, they are highly prized: last year, they outearned their male counterparts by 43 percent, on average, and received bigger raises.

    Even around the delicate question of working mothers, the terms of the conversation are shifting. Last year, in a story about breast-feeding, I complained about how the early years of child rearing keep women out of power positions. But the term mommy track is slowly morphing into the gender-neutral flex time, reflecting changes in the workforce. For recent college graduates of both sexes, flexible arrangements are at the top of the list of workplace demands, according to a study published last year in the Harvard Business Review. And companies eager to attract and retain talented workers and managers are responding. The consulting firm Deloitte, for instance, started what’s now considered the model program, called Mass Career Customization, which allows employees to adjust their hours depending on their life stage. The program, Deloitte’s Web site explains, solves “a complex issue—one that can no longer be classified as a woman’s issue.”

    “Women are knocking on the door of leadership at the very moment when their talents are especially well matched with the requirements of the day,” writes David Gergen in the introduction to Enlightened Power: How Women Are Transforming the Practice of Leadership. What are these talents? Once it was thought that leaders should be aggressive and competitive, and that men are naturally more of both. But psychological research has complicated this picture. In lab studies that simulate negotiations, men and women are just about equally assertive and competitive, with slight variations. Men tend to assert themselves in a controlling manner, while women tend to take into account the rights of others, but both styles are equally effective, write the psychologists Alice Eagly and Linda Carli, in their 2007 book, Through the Labyrinth.

    Over the years, researchers have sometimes exaggerated these differences and described the particular talents of women in crude gender stereotypes: women as more empathetic, as better consensus-seekers and better lateral thinkers; women as bringing a superior moral sensibility to bear on a cutthroat business world. In the ’90s, this field of feminist business theory seemed to be forcing the point. But after the latest financial crisis, these ideas have more resonance. Researchers have started looking into the relationship between testosterone and excessive risk, and wondering if groups of men, in some basic hormonal way, spur each other to make reckless decisions. The picture emerging is a mirror image of the traditional gender map: men and markets on the side of the irrational and overemotional, and women on the side of the cool and levelheaded.

    We don’t yet know with certainty whether testosterone strongly influences business decision-making. But the perception of the ideal business leader is starting to shift. The old model of command and control, with one leader holding all the decision-making power, is considered hidebound. The new model is sometimes called “post-heroic,” or “transformational” in the words of the historian and leadership expert James MacGregor Burns. The aim is to behave like a good coach, and channel your charisma to motivate others to be hardworking and creative. The model is not explicitly defined as feminist, but it echoes literature about male-female differences. A program at Columbia Business School, for example, teaches sensitive leadership and social intelligence, including better reading of facial expressions and body language. “We never explicitly say, ‘Develop your feminine side,’ but it’s clear that’s what we’re advocating,” says Jamie Ladge.

    A 2008 study attempted to quantify the effect of this more-feminine management style. Researchers at Columbia Business School and the University of Maryland analyzed data on the top 1,500 U.S. companies from 1992 to 2006 to determine the relationship between firm performance and female participation in senior management. Firms that had women in top positions performed better, and this was especially true if the firm pursued what the researchers called an “innovation intensive strategy,” in which, they argued, “creativity and collaboration may be especially important”—an apt description of the future economy.

    It could be that women boost corporate performance, or it could be that better-performing firms have the luxury of recruiting and keeping high-potential women. But the association is clear: innovative, successful firms are the ones that promote women. The same Columbia-Maryland study ranked America’s industries by the proportion of firms that employed female executives, and the bottom of the list reads like the ghosts of the economy past: shipbuilding, real estate, coal, steelworks, machinery.

    IF YOU REALLY want to see where the world is headed, of course, looking at the current workforce can get you only so far. To see the future—of the workforce, the economy, and the culture—you need to spend some time at America’s colleges and professional schools, where a quiet revolution is under way. More than ever, college is the gateway to economic success, a necessary precondition for moving into the upper-middle class—and increasingly even the middle class. 
    It’s this broad, striving middle class that defines our society. And demographically, we can see with absolute clarity that in the coming decades the middle class will be dominated by women.

    We’ve all heard about the collegiate gender gap. But the implications of that gap have not yet been fully digested. Women now earn 60 percent of master’s degrees, about half of all law and medical degrees, and 42 percent of all M.B.A.s. Most important, women earn almost 60 percent of all bachelor’s degrees—the minimum requirement, in most cases, for an affluent life. In a stark reversal since the 1970s, men are now more likely than women to hold only a high-school diploma. “One would think that if men were acting in a rational way, they would be getting the education they need to get along out there,” says Tom Mortenson, a senior scholar at the Pell Institute for the Study of Opportunity in Higher Education. “But they are just failing to adapt.”

    This spring, I visited a few schools around Kansas City to get a feel for the gender dynamics of higher education. I started at the downtown campus of Metropolitan Community College. Metropolitan is the kind of place where people go to learn practical job skills and keep current with the changing economy, and as in most community colleges these days, men were conspicuously absent. One afternoon, in the basement cafeteria of a nearly windowless brick building, several women were trying to keep their eyes on their biology textbook and ignore the text messages from their babysitters. Another crew was outside the ladies’ room, braiding each other’s hair. One woman, still in her medical-assistant scrubs, looked like she was about to fall asleep in the elevator between the first and fourth floors.

    When Bernard Franklin took over as campus president in 2005, he looked around and told his staff early on that their new priority was to “recruit more boys.” He set up mentoring programs and men-only study groups and student associations. He made a special effort to bond with male students, who liked to call him “Suit.” “It upset some of my feminists,” he recalls. Yet, a few years later, the tidal wave of women continues to wash through the school—they now make up about 70 percent of its students. They come to train to be nurses and teachers—African American women, usually a few years older than traditional college students, and lately, working-class white women from the suburbs seeking a cheap way to earn a credential. As for the men? Well, little has changed. “I recall one guy who was really smart,” one of the school’s counselors told me. “But he was reading at a sixth-grade level and felt embarrassed in front of the women. He had to hide his books from his friends, who would tease him when he studied. Then came the excuses. ‘It’s spring, gotta play ball.’ ‘It’s winter, too cold.’ He didn’t make it.”

    It makes some economic sense that women attend community colleges—and in fact, all colleges—in greater numbers than men. Women ages 25 to 34 with only a high-school diploma currently have a median income of $25,474, while men in the same position earn $32,469. But it makes sense only up to a point. The well-paid lifetime union job has been disappearing for at least 30 years. Kansas City, for example, has shifted from steel manufacturing to pharmaceuticals and information technologies. “The economy isn’t as friendly to men as it once was,” says Jacqueline King, of the American Council on Education. “You would think men and women would go to these colleges at the same rate.” But they don’t.
    In 2005, King’s group conducted a survey of lower-income adults in college. Men, it turned out, had a harder time committing to school, even when they desperately needed to retool. They tended to start out behind academically, and many felt intimidated by the schoolwork. They reported feeling isolated and were much worse at seeking out fellow students, study groups, or counselors to help them adjust. Mothers going back to school described themselves as good role models for their children. Fathers worried that they were abrogating their responsibilities as breadwinner.

    The student gender gap started to feel like a crisis to some people in higher-education circles in the mid-2000s, when it began showing up not just in community and liberal-arts colleges but in the flagship public universities—the UCs and the SUNYs and the UNCs. Like many of those schools, the University of Missouri at Kansas City, a full research university with more than 13,000 students, is now tipping toward 60 percent women, a level many admissions officers worry could permanently shift the atmosphere and reputation of a school. In February, I visited with Ashley Burress, UMKC’s student-body president. (The other three student-government officers this school year were also women.) Burress, a cute, short, African American 24-year-old grad student who is getting a doctor-of-pharmacy degree, had many of the same complaints I heard from other young women. Guys high-five each other when they get a C, while girls beat themselves up over a B-minus. Guys play video games in each other’s rooms, while girls crowd the study hall. Girls get their degrees with no drama, while guys seem always in danger of drifting away. “In 2012, I will be Dr. Burress,” she said. “Will I have to deal with guys who don’t even have a bachelor’s degree? I would like to date, but I’m putting myself in a really small pool.”

    UMKC is a working- and middle-class school—the kind of place where traditional sex roles might not be anathema. Yet as I talked to students this spring, I realized how much the basic expectations for men and women had shifted. Many of the women’s mothers had established their careers later in life, sometimes after a divorce, and they had urged their daughters to get to their own careers more quickly. They would be a campus of Tracy Flicks, except that they seemed neither especially brittle nor secretly falling apart.

    Victoria, Michelle, and Erin are sorority sisters. Victoria’s mom is a part-time bartender at a hotel. Victoria is a biology major and wants to be a surgeon; soon she’ll apply to a bunch of medical schools. She doesn’t want kids for a while, because she knows she’ll “be at the hospital, like, 100 hours a week,” and when she does have kids, well, she’ll “be the hotshot surgeon, and he”—a nameless he—“will be at home playing with the kiddies.”

    Michelle, a self-described “perfectionist,” also has her life mapped out. She’s a psychology major and wants to be a family therapist. After college, she will apply to grad school and look for internships. She is well aware of the career-counseling resources on campus. And her fiancé?
    MICHELLE: He’s changed majors, like, 16 times. Last week he wanted to be a dentist. This week it’s environmental science.

    ERIN: Did he switch again this week? When you guys have kids, he’ll definitely stay home. Seriously, what does he want to do?

    MICHELLE: It depends on the day of the week. Remember last year? It was bio. It really is a joke. But it’s not. It’s funny, but it’s not.
    Among traditional college students from the highest-income families, the gender gap pretty much disappears. But the story is not so simple. Wealthier students tend to go to elite private schools, and elite private schools live by their own rules. Quietly, they’ve been opening up a new frontier in affirmative action, with boys playing the role of the underprivileged applicants needing an extra boost.
    In 2003, a study by the economists Sandy Baum and Eban Goodstein found that among selective liberal-arts schools, being male raises the chance of college acceptance by 6.5 to 9 percentage points. Now the U.S. Commission on Civil Rights has voted to investigate what some academics have described as the “open secret” that private schools “are discriminating in admissions in order to maintain what they regard as an appropriate gender balance.”

    Jennifer Delahunty, the dean of admissions and financial aid at Kenyon College, in Ohio, let this secret out in a 2006 New York Times op-ed. Gender balance, she wrote back then, is the elephant in the room. And today, she told me, the problem hasn’t gone away. A typical female applicant, she said, manages the process herself—lines up the interviews, sets up a campus visit, requests a visit with faculty members. But the college has seen more than one male applicant “sit back on the couch, sometimes with their eyes closed, while their mom tells them where to go and what to do. Sometimes we say, ‘What a nice essay his mom wrote,’” she said, in that funny-but-not vein.

    To avoid crossing the dreaded 60 percent threshold, admissions officers have created a language to explain away the boys’ deficits: “Brain hasn’t kicked in yet.” “Slow to cook.” “Hasn’t quite peaked.” “Holistic picture.” At times Delahunty has become so worried about “overeducated females” and “undereducated males” that she jokes she is getting conspiratorial. She once called her sister, a pediatrician, to vet her latest theory: “Maybe these boys are genetically like canaries in a coal mine, absorbing so many toxins and bad things in the environment that their DNA is shifting. Maybe they’re like those frogs—they’re more vulnerable or something, so they’ve gotten deformed.”

    Clearly, some percentage of boys are just temperamentally unsuited to college, at least at age 18 or 20, but without it, they have a harder time finding their place these days. “Forty years ago, 30 years ago, if you were one of the fairly constant fraction of boys who wasn’t ready to learn in high school, there were ways for you to enter the mainstream economy,” says Henry Farber, an economist at Princeton. “When you woke up, there were jobs. There were good industrial jobs, so you could have a good industrial, blue-collar career. Now those jobs are gone.”

    Since the 1980s, as women have flooded colleges, male enrollment has grown far more slowly. And the disparities start before college. Throughout the ’90s, various authors and researchers agonized over why boys seemed to be failing at every level of education, from elementary school on up, and identified various culprits: a misguided feminism that treated normal boys as incipient harassers (Christina Hoff Sommers); different brain chemistry (Michael Gurian); a demanding, verbally focused curriculum that ignored boys’ interests (Richard Whitmire). But again, it’s not all that clear that boys have become more dysfunctional—or have changed in any way. What’s clear is that schools, like the economy, now value the self-control, focus, and verbal aptitude that seem to come more easily to young girls.

    Researchers have suggested any number of solutions. A movement is growing for more all-boys schools and classes, and for respecting the individual learning styles of boys. Some people think that boys should be able to walk around in class, or take more time on tests, or have tests and books that cater to their interests. In their desperation to reach out to boys, some colleges have formed football teams and started engineering programs. Most of these special accommodations sound very much like the kind of affirmative action proposed for women over the years—which in itself is an alarming flip.

    Whether boys have changed or not, we are well past the time to start trying some experiments. It is fabulous to see girls and young women poised for success in the coming years. But allowing generations of boys to grow up feeling rootless and obsolete is not a recipe for a peaceful future. Men have few natural support groups and little access to social welfare; the men’s-rights groups that do exist in the U.S. are taking on an angry, antiwoman edge. Marriages fall apart or never happen at all, and children are raised with no fathers. Far from being celebrated, women’s rising power is perceived as a threat.

    WHAT WOULD A SOCIETY in which women are on top look like? We already have an inkling. This is the first time that the cohort of Americans ages 30 to 44 has more college-educated women than college-educated men, and the effects are upsetting the traditional Cleaver-family dynamics. In 1970, women contributed 2 to 6 percent of the family income. Now the typical working wife brings home 42.2 percent, and four in 10 mothers—many of them single mothers—are the primary breadwinners in their families. The whole question of whether mothers should work is moot, argues Heather Boushey of the Center for American Progress, “because they just do. This idealized family—he works, she stays home—hardly exists anymore.”

    The terms of marriage have changed radically since 1970. Typically, women’s income has been the main factor in determining whether a family moves up the class ladder or stays stagnant. And increasing numbers of women—unable to find men with a similar income and education—are forgoing marriage altogether. In 1970, 84 percent of women ages 30 to 44 were married; now 60 percent are. In 2007, among American women without a high-school diploma, 43 percent were married. And yet, for all the hand-wringing over the lonely spinster, the real loser in society—the only one to have made just slight financial gains since the 1970s—is the single man, whether poor or rich, college-educated or not. Hens rejoice; it’s the bachelor party that’s over.

    The sociologist Kathryn Edin spent five years talking with low-income mothers in the inner suburbs of Philadelphia. Many of these neighborhoods, she found, had turned into matriarchies, with women making all the decisions and dictating what the men should and should not do. “I think something feminists have missed,” Edin told me, “is how much power women have” when they’re not bound by marriage. The women, she explained, “make every important decision”—whether to have a baby, how to raise it, where to live. “It’s definitely ‘my way or the highway,’” she said. “Thirty years ago, cultural norms were such that the fathers might have said, ‘Great, catch me if you can.’ Now they are desperate to father, but they are pessimistic about whether they can meet her expectations.” The women don’t want them as husbands, and they have no steady income to provide. So what do they have?

    “Nothing,” Edin says. “They have nothing. The men were just annihilated in the recession of the ’90s, and things never got better. Now it’s just awful.”
    The situation today is not, as Edin likes to say, a “feminist nirvana.” The phenomenon of children being born to unmarried parents “has spread to barrios and trailer parks and rural areas and small towns,” Edin says, and it is creeping up the class ladder. After staying steady for a while, the portion of American children born to unmarried parents jumped to 40 percent in the past few years. Many of their mothers are struggling financially; the most successful are working and going to school and hustling to feed the children, and then falling asleep in the elevator of the community college.

    Still, they are in charge. “The family changes over the past four decades have been bad for men and bad for kids, but it’s not clear they are bad for women,” says W. Bradford Wilcox, the head of the University of Virginia’s National Marriage Project.

    Over the years, researchers have proposed different theories to explain the erosion of marriage in the lower classes: the rise of welfare, or the disappearance of work and thus of marriageable men. But Edin thinks the most compelling theory is that marriage has disappeared because women are setting the terms—and setting them too high for the men around them to reach. “I want that white-picket-fence dream,” one woman told Edin, and the men she knew just didn’t measure up, so she had become her own one-woman mother/father/nurturer/provider. The whole country’s future could look much as the present does for many lower-class African Americans: the mothers pull themselves up, but the men don’t follow. First-generation college-educated white women may join their black counterparts in a new kind of middle class, where marriage is increasingly rare.

    As the traditional order has been upended, signs of the profound disruption have popped up in odd places. Japan is in a national panic over the rise of the “herbivores,” the cohort of young men who are rejecting the hard-drinking salaryman life of their fathers and are instead gardening, organizing dessert parties, acting cartoonishly feminine, and declining to have sex. The generational young-women counterparts are known in Japan as the “carnivores,” or sometimes the “hunters.”

    American pop culture keeps producing endless variations on the omega male, who ranks even below the beta in the wolf pack. This often-unemployed, romantically challenged loser can show up as a perpetual adolescent (in Judd Apatow’s Knocked Up or The 40-Year-Old Virgin), or a charmless misanthrope (in Noah Baumbach’s Greenberg), or a happy couch potato (in a Bud Light commercial). He can be sweet, bitter, nostalgic, or cynical, but he cannot figure out how to be a man. “We call each other ‘man,’” says Ben Stiller’s character inGreenberg, “but it’s a joke. It’s like imitating other people.” The American male novelist, meanwhile, has lost his mojo and entirely given up on sex as a way for his characters to assert macho dominance, Katie Roiphe explains in her essay “The Naked and the Conflicted.” Instead, she writes, “the current sexual style is more childlike; innocence is more fashionable than virility, the cuddle preferable to sex.”

    At the same time, a new kind of alpha female has appeared, stirring up anxiety and, occasionally, fear. The cougar trope started out as a joke about desperate older women. Now it’s gone mainstream, even in Hollywood, home to the 50-something producer with a starlet on his arm. Susan Sarandon and Demi Moore have boy toys, and Aaron Johnson, the 19-year-old star of Kick-Ass, is a proud boy toy for a woman 24 years his senior. The New York Times columnist Gail Collins recently wrote that the cougar phenomenon is beginning to look like it’s not about desperate women at all but about “desperate young American men who are latching on to an older woman who’s a good earner.” Up in the Air, a movie set against the backdrop of recession-era layoffs, hammers home its point about the shattered ego of the American man. A character played by George Clooney is called too old to be attractive by his younger female colleague and is later rejected by an older woman whom he falls in love with after she sleeps with him—and who turns out to be married. George Clooney! If the sexiest man alive can get twice rejected (and sexually played) in a movie, what hope is there for anyone else? The message to American men is summarized by the title of a recent offering from the romantic-comedy mill: She’s Out of My League.
    In fact, the more women dominate, the more they behave, fittingly, like the dominant sex. Rates of violence committed by middle-aged women have skyrocketed since the 1980s, and no one knows why. High-profile female killers have been showing up regularly in the news: Amy Bishop, the homicidal Alabama professor; Jihad Jane and her sidekick, Jihad Jamie; the latest generation of Black Widows, responsible for suicide bombings in Russia. In Roman Polanski’s The Ghost Writer, the traditional political wife is rewritten as a cold-blooded killer at the heart of an evil conspiracy. In her recent videoTelephone, Lady Gaga, with her infallible radar for the cultural edge, rewritesThelma and Louise as a story not about elusive female empowerment but about sheer, ruthless power. Instead of killing themselves, she and her girlfriend (played by Beyoncé) kill a bad boyfriend and random others in a homicidal spree and then escape in their yellow pickup truck, Gaga bragging, “We did it, Honey B.”

    The Marlboro Man, meanwhile, master of wild beast and wild country, seems too far-fetched and preposterous even for advertising. His modern equivalents are the stunted men in the Dodge Charger ad that ran during this year’s Super Bowl in February. Of all the days in the year, one might think, Super Bowl Sunday should be the one most dedicated to the cinematic celebration of macho. The men in Super Bowl ads should be throwing balls and racing motorcycles and doing whatever it is men imagine they could do all day if only women were not around to restrain them.

    Instead, four men stare into the camera, unsmiling, not moving except for tiny blinks and sways. They look like they’ve been tranquilized, like they can barely hold themselves up against the breeze. Their lips do not move, but a voice-over explains their predicament—how they’ve been beaten silent by the demands of tedious employers and enviro-fascists and women. Especially women. “I will put the seat down, I will separate the recycling, I will carry your lip balm.” This last one—lip balm—is expressed with the mildest spit of emotion, the only hint of the suppressed rage against the dominatrix. Then the commercial abruptly cuts to the fantasy, a Dodge Charger vrooming toward the camera punctuated by bold all caps: MAN’S LAST STAND. But the motto is unconvincing. After that display of muteness and passivity, you can only imagine a woman—one with shiny lips—steering the beast.


    The Borowitz Report: Unskilled Workers Report For New Jobs

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    WASHINGTON (The Borowitz Report)—Sixty-four unskilled workers will report to new jobs in Washington, D.C. on Tuesday as part of a federal jobs program that provides employment for people unable to find productive work elsewhere.
    The new hires, who have no talents or abilities that would make them employable in most workplaces, will be earning a first-year salary of $174,000.

    For that sum, the new employees will be expected to work a hundred and thirty-seven days a year, leaving them with two hundred and twenty-eight days of vacation.
    Some critics have blasted the federal jobs program as too expensive, noting that the workers were chosen last November in a bloated and wasteful selection process that cost the nation nearly four billion dollars.
    But Davis Logsdon, a University of Minnesota economics professor who specializes in labor issues, said that the program is necessary to provide work “for people who honestly cannot find employment anywhere else.”
    “Expensive as this program is, it is much better to have these people in jobs than out on the street,” he said.

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