"Once you label me, you negate me."
"What we say a thing is, it isn't."
Ludwig Wittgenstein
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"In actuality, no one ever sank so deep that he could not sink deeper, and there may be one or many who sank deeper. But he who sank in possibility — his eye became dizzy, his eye became confused. . . . [W]hoever is educated by possibility is exposed to danger, not that of getting into bad company and going astray in various ways as are those educated by the finite, but in danger of a fall, namely, suicide. If at the beginning of education he misunderstands the anxiety, so that it does not lead him to faith but away from faith, then he is lost. On the other hand, whoever is educated [by possibility] remains with anxiety; he does not permit himself to be deceived by its countless falsification and accurately remembers the past. Then the assaults of anxiety, even though they be terrifying, will not be such that he flees from them. For him, anxiety becomes a serving spirit that against its will leads him where he wishes to go."***
"For Kierkegaard, the type of objectivity that a scientist or historian might use misses the point—humans are not motivated and do not find meaning in life through pure objectivity. Instead, they find it through passion, desire, and moral and religious commitment. These phenomena are not objectively provable—nor do they come about through any form of analysis of the external world; they come about through inward reflection, a way of looking at one’s life that evades objective scrutiny. In Concluding Unscientific Postscript to Philosophical Fragments, he argues that "subjectivity is truth" and "truth is subjectivity." What he means by this is that most essentially, truth is not just a matter of discovering objective facts. While objective facts are important, there is a second and more crucial element of truth, which involves how one relates oneself to those matters of fact. Since how one acts is, from the ethical perspective, more important than any matter of fact, truth is to be found in subjectivity rather than objectivity." http://en.wikipedia.org/wiki/Philosophy_of_S%C3%B8ren_Kierkegaard
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Kierkegaard argues that anxiety is essential for creativity. Perhaps the most enduring and thoughtful interpretation of his treatment of the relationship between creativity and anxiety comes from legendary existential psychologist Rollo May’s The Meaning of Anxiety (public library), originally published in 1950:
We can understand Kierkegaard’s ideas on the relation between guilt and anxiety only by emphasizing that he is always speaking of anxiety in its relation to creativity. Because it is possible to create — creating one’s self, willing to be one’s self, as well as creating in all the innumerable daily activities (and these are two phases of the same process) — one has anxiety. One would have no anxiety if there were no possibility whatever. Now creating, actualizing one’s possibilities, always involves negative as well as positive aspects. It always involves destroying the status quo, destroying old patterns within oneself, progressively destroying what one has clung to from childhood on, and creating new and original forms and ways of living. If one does not do this, one is refusing to grow, refusing to avail himself of his possibilities; one is shirking his responsibility to himself. Hence refusal to actualize one’s possibilities brings guilt toward one’s self. But creating also means destroying the status quo of one’s environment, breaking the old forms; it means producing something new and original in human relations as well as in cultural forms (e.g., the creativity of the artist). Thus every experience of creativity has its potentiality of aggression or denial toward other persons in one’s environment or established patterns within one’s self. To put the matter figuratively, in every experience of creativity something in the past is killed that something new in the present may be born. Hence, for Kierkegaard, guilt feeling is always a concomitant of anxiety: both are aspects of experiencing and actualizing possibility. The more creative the person, he held, the more anxiety and guilt are potentially present."
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Life without supposition of miracle
is like sex without supposition of love.
You get something, but miss out on everything.
Life's chemistry, physics and materiality are not its meaning.
The whole is greater than the sum of its parts.
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Anaïs Nin: “Anxiety is love’s greatest killer,”